A Humble Drama

 Short Story by Guy de Maupassant 

Meetings that are unexpected constitute the charm of traveling. Who has not experienced the joy of suddenly coming across a Parisian, a college friend, or a neighbor, five hundred miles from home? Who has not passed a night awake in one of those small, rattling country stagecoaches, in regions where steam is still a thing unknown, beside a strange young woman, of whom one has caught only a glimpse in the dim light of the lantern, as she entered the carriage in front of a white house in some small country town?

And the next morning, when one's head and ears feel numb with the continuous tinkling of the bells and the loud rattling of the windows, what a charming sensation it is to see your pretty neighbor open her eyes, startled, glance around her, arrange her rebellious hair with her slender fingers, adjust her hat, feel with sure hand whether her corset is still in place, her waist straight, and her skirt not too wrinkled.

She glances at you coldly and curiously. Then she leans back and no longer seems interested in anything but the country.

In spite of yourself, you watch her; and in spite of yourself you keep on thinking of her. Who is she? Whence does she come? Where is she going? In spite of yourself you spin a little romance around her. She is pretty; she seems charming! Happy he who . . . Life might be delightful with her. Who knows? She is perhaps the woman of our dreams, the one suited to our disposition, the one for whom our heart calls.

And how delicious even the disappointment at seeing her get out at the gate of a country house! A man stands there, who is awaiting her, with two children and two maids. He takes her in his arms and kisses as he lifts her out. Then she stoops over the little ones, who hold up their hands to her; she kisses them tenderly; and then they all go away together, down a path, while the maids catch the packages which the driver throws down to them from the coach.

Adieu! It is all over. You never will see her again! Adieu to the young woman who has passed the night by your side. You know her no more, you have not spoken to her; all the same, you feel a little sad to see her go. Adieu!

I have had many of these souvenirs of travel, some joyous and some sad.

Once I was in Auvergne, tramping through those delightful French mountains, that are not too high, not too steep, but friendly and familiar. I had climbed the Sancy, and entered a little inn, near a pilgrim's chapel called Notre-Dame de Vassiviere, when I saw a queer, ridiculous-looking old woman breakfasting alone at the end table.

She was at least seventy years old, tall, skinny, and angular, and her white hair was puffed around her temples in the old-fashioned style. She was dressed like a traveling Englishwoman, in awkward, queer clothing, like a person who is indifferent to dress. She was eating an omelet and drinking water.

Her face was peculiar, with restless eyes and the expression of one with whom fate has dealt unkindly. I watched her, in spite of myself, thinking: "Who is she? What is the life of this woman? Why is she wandering alone through these mountains?"

She paid and rose to leave, drawing up over her shoulders an astonishing little shawl, the two ends of which hung over her arms. From a corner of the room she took an alpenstock, which was covered with names traced with a hot iron; then she went out, straight, erect, with the long steps of a letter-carrier who is setting out on his route.

A guide was waiting for her at the door, and both went away. I watched them go down the valley, along the road marked by a line of high wooden crosses. She was taller than her companion, and seemed to walk faster than he.

Two hours later I was climbing the edge of the deep funnel that incloses Lake Pavin in a marvelous and enormous basin of verdure, full of trees, bushes, rocks, and flowers. This lake is so round that it seems as if the outline had been drawn with a pair of compasses, so clear and blue that one might deem it a flood of azure come down from the sky, so charming that one would like to live in a but on the wooded slope which dominates this crater, where the cold, still water is sleeping. The Englishwoman was standing there like a statue, gazing upon the transparent sheet down in the dead volcano. She was straining her eyes to penetrate below the surface down to the unknown depths, where monstrous trout which have devoured all the other fish are said to live. As I was passing close by her, it seemed to me that two big tears were brimming her eyes. But she departed at a great pace, to rejoin her guide, who had stayed behind in an inn at the foot of the path leading to the lake.

I did not see her again that day.

The next day, at nightfall, I came to the chateau of Murol. The old fortress, an enormous tower standing on a peak in the midst of a large valley, where three valleys intersect, rears its brown, uneven, cracked surface into the sky; it is round, from its large circular base to the crumbling turrets on its pinnacles.

It astonishes the eye more than any other ruin by its simple mass, its majesty, its grave and imposing air of antiquity. It stands there, alone, high as a mountain, a dead queen, but still the queen of the valleys stretched out beneath it. You go up by a slope planted with firs, then you enter a narrow gate, and stop at the foot of the walls, in the first inclosure, in full view of the entire country.

Inside there are ruined halls, crumbling stairways, unknown cavities, dungeons, walls cut through in the middle, vaulted roofs held up one knows not how, and a mass of stones and crevices, overgrown with grass, where animals glide in and out.

I was exploring this ruin alone.

Suddenly I perceived behind a bit of wall a being, a kind of phantom, like the spirit of this ancient and crumbling habitation.

I was taken aback with surprise, almost with fear, when I recognized the old lady whom I had seen twice.

She was weeping, with big tears in her eyes, and held her handkerchief in her hand.

I turned around to go away, when she spoke to me, apparently ashamed to have been surprised in her grief.

"Yes, monsieur, I am crying. That does not happen often to me."

"Pardon me, madame, for having disturbed you," I stammered, confused, not knowing what to say. "Some misfortune has doubtless come to you."

"Yes. No--I am like a lost dog," she murmured, and began to sob, with her handkerchief over her eyes.

Moved by these contagious tears, I took her hand, trying to calm her. Then brusquely she told me her history, as if no longer ably to bear her grief alone.

"Oh! Oh! Monsieur--if you knew--the sorrow in which I live--in what sorrow.

"Once I was happy. I have a house down there--a home. I cannot go back to it any more; I shall never go back to it again, it is too hard to bear.

"I have a son. It is he! it is he! Children don't know. Oh, one has such a short time to live! If I should see him now I should perhaps not recognize him. How I loved him? How I loved him! Even before he was born, when I felt him move. And after that! How I have kissed and caressed and cherished him! If you knew how many nights I have passed in watching him sleep, and how many in thinking of him. I was crazy about him. When he was eight years old his father sent him to boarding-school. That was the end. He no longer belonged to me. Oh, heavens! He came to see me every Sunday. That was all!

"He went to college in Paris. Then he came only four times a year, and every time I was astonished to see how he had changed, to find him taller without having seen him grow. They stole his childhood from me, his confidence, and his love which otherwise would not have gone away from me; they stole my joy in seeing him grow, in seeing him become a little man.

"I saw him four times a year. Think of it! And at every one of his visits his body, his eye, his movements, his voice his laugh, were no longer the same, were no longer mine. All these things change so quickly in a child; and it is so sad if one is not there to see them change; one no longer recognizes him.

"One year he came with down on his cheek! He! my son! I was dumfounded --would you believe it? I hardly dared to kiss him. Was it really he, my little, little curly head of old, my dear; dear child, whom I had held in his diapers or my knee, and who had nursed at my breast with his little greedy lips--was it he, this tall, brown boy, who no longer knew how to kiss me, who seemed to love me as a matter of duty, who called me 'mother' for the sake of politeness, and who kissed me on the forehead, when I felt like crushing him in my arms?

"My husband died. Then my parents, and then my two sisters. When Death enters a house it seems as if he were hurrying to do his utmost, so as not to have to return for a long time after that. He spares only one or two to mourn the others.

"I remained alone. My tall son was then studying law. I was hoping to live and die near him, and I went to him so that we could live together. But he had fallen into the ways of young men, and he gave me to understand that I was in his way. So I left. I was wrong in doing so, but I suffered too much in feeling myself in his way, I, his mother! And I came back home.

"I hardly ever saw him again.

'He married. What a joy! At last we should be together for good. I should have grandchildren. His wife was an Englishwoman, who took a dislike to me. Why? Perhaps she thought that I loved him too much.

"Again I was obliged to go away. And I was alone. Yes, monsieur.

"Then he went to England, to live with them, with his wife's parents. Do you understand? They have him--they have my son for themselves. They have stolen him from me. He writes to me once a month. At first he came to see me. But now he no longer comes.

"It is now four years since I saw him last. His face then was wrinkled and his hair white. Was that possible? This man, my son, almost an old man? My little rosy child of old? No doubt I shall never see him again.

"And so I travel about all the year. I go east and west, as you see, with no companion.

"I am like a lost dog. Adieu, monsieur! don't stay here with me for it hurts me to have told you all this."

I went down the hill, and on turning round to glance back, I saw the old woman standing on a broken wall, looking out upon the mountains, the long valley and Lake Chambon in the distance.

And her skirt and the queer little shawl which she wore around her thin shoulders were fluttering like a flag in the wind.

Confessing

Short Story by Guy de Maupassant

THE NOON SUN POURED FIERCELY DOWN UPON THE FIELDS. They stretched in undulating folds between the clumps of trees that marked each farmhouse; the different crops, ripe rye and yellowing wheat, pale-green oats, dark-green clover, spread a vast striped cloak, soft and rippling, over the naked body of the earth.

In the distance, on the crest of a slope, was an endless line of cows, ranked like soldiers, some lying down, others standing, their large eyes blinking in the burning light, chewing the cud and grazing on a field of clover as broad as a lake.

Two women, mother and daughter, were walking with a swinging step, one behind the other, towards this regiment of cattle. Each carried two zinc pails, slung outwards from the body on a hoop from a cask; at each step the metal sent out a dazzling white flash under the sun that struck full upon it.

The women did not speak. They were on their way to milk the cows. When they arrive, they set down one of their pails and approach the first two cows, making them stand up with a kick in the ribs from wooden-shod feet. The beast rises slowly, first on its forelegs, then with more difficulty raises its large hind quarters, which seem to be weighted down by the enormous udder of livid pendulous flesh.

The two Malivoires, mother and daughter, kneeling beneath the animal's belly, tug with a swift movement of their hands at the swollen teat, which at each squeeze sends a slender jet of milk into the pail. The yellowish froth mounts to the brim, and the women go from cow to cow until they reach the end of the long line.

As soon as they finish milking a beast, they change its position, giving it a fresh patch of grass on which to graze.

Then they start on their way home, more slowly now, weighed down by the load of milk, the mother in front, the daughter behind.

Abruptly the latter halts, sets down her burden, Sits down, and begins to cry.

Madame Malivoire, missing the sound of steps behind her, turns round and is quite amazed.

"What's the matter with you?" she said.

Her daughter Celeste, a tall girl with flaming red hair and flaming cheeks, flecked with freckles as though sparks of fire had fallen upon her face one day as she worked in the sun, murmurs, moaning softly, like a beaten child:

"I can't carry the milk any further."

Her mother looked at her suspiciously.

"What's the matter with you?" she repeated.

"It drags too heavy, I can't," replied Celeste, who had collapsed and was lying on the ground between the two pails, hiding her eyes in her apron.

"What's the matter with you, then?" said her mother for the third time. The girl moaned:

"I think there's a baby on the way." And she broke into sobs.

The old woman now in her turn set down her load, so amazed that she could find nothing to say. At last she stammered:

"You . . . you . . . you're going to have a baby, you clod! How can that be?"

The Malivoires were prosperous farmers, wealthy and of a certain position, widely respected, good business folk, of some importance in the district.

"I think I am, all the same," faltered Celeste.

The frightened mother looked at the weeping girl grovelling at her feet. After a few seconds she cried:

"You're going to have a baby! A baby! Where did you get it, you slut?"

Celeste, shaken with emotion, murmured:

"I think it was in Polyte's coach."

The old woman tried to understand, tried to imagine, to realise who could have brought this misfortune upon her daughter. If the lad was well off and of decent position, an arrangement might be come to. The damage could still be repaired. Celeste was not the first to be in the same way, but it was annoying all the same, seeing their position and the way people talked.

"And who was it, you slut?" she repeated.

Celeste, resolved to make a clean breast of it, stammered:

"I think it was Polyte."

At that Madame Malivoire, mad with rage, rushed upon her daughter and began to beat her with such fury that her hat fell off in the effort.

With great blows of the fist she struck her on the head, on the back, all over her body; Celeste, prostrate between the two pails, which afforded her some slight protection, shielded just her face with her hands.

All the cows, disturbed, had stopped grazing and turned round, staring with their great eyes. The last one mooed, stretching out its muzzle towards the women.

After beating her daughter till she was out of breath, Madame Malivoire stopped, exhausted; her spirits reviving a little, she tried to get a thorough understanding of the situation.

"--- Polyte! Lord save us, it's not possible! How could you, with a carrier? You must have lost your wits. He must have played you a trick, the good-for-nothing!"

Celeste, still prostrate, murmured in the dust:

"I didn't pay my fare!"

And the old Norman woman understood.

Every week, on Wednesday and on Saturday, Celeste went to town with the farm produce, poultry, cream, and eggs.

She started at seven with her two huge baskets on her arm, the dairy produce in one, the chickens in the other, and went to the main road to wait for the coach to Yvetot.

She set down her wares and sat in the ditch, while the chickens with their short pointed beaks and the ducks with their broad flat bills thrust their heads between the wicker bars and looked about them with their round, stupid, surprised eyes.

Soon the bus, a sort of yellow box with a black leather cap on the top, came up, jerking and quivering with the trotting of the old white horse.

Polyte the coachman, a big, jolly fellow, stout though still young, and so burnt up by sun and wind, soaked by rain, and coloured with brandy that his face and neck were brick-red, cracked his whip and shouted from the distance:

"Morning, Mam'selle Celeste. In good health, I hope?"

She gave him her baskets, one after the other, which he stowed in the boot; then she got in, lifting her leg high up to reach the step, and exposing a sturdy leg clad in a blue stocking.

Every time Polyte repeated the same joke: "Well, it's not got any thinner."

She laughed, thinking this funny.

Then he uttered a "Gee up, old girl!" which started off the thin horse. Then Celeste, reaching for her purse in the depths of her pocket, slowly took out fivepence, threepence for herself and twopence for the baskets, and handed them to Polyte over his shoulder.

He took them, saying:

"Aren't we going to have our little bit of sport to-day?"

And he laughed heartily, turning round towards her so as to stare at her at his ease.

She found it a big expense, the half-franc for a journey of two miles. And when she had no coppers she felt it still more keenly; it was hard to make up her mind to part with a silver coin.

One day, as she was paying, she asked:

"From a good customer like me you oughtn't to take more than threepence."

He burst out laughing.

"Threepence, my beauty; why, you're worth more than that."

She insisted on the point.

"But you make a good two francs a month out of me."

He whipped up his horse and exclaimed:

"Look here, I'm an obliging fellow! We'll call it quits for a bit of sport."

"What do you mean?" she asked with an air of innocence.

He was so amused that he laughed till he coughed.

"A bit of sport is a bit of sport, damn it; a game for a lad and a lass, a dance for two without music."

She understood, blushed, and declared:

"I don't care for that sort of game, Monsieur Polyte."

But he was in no way abashed, and repeated, with growing merriment:

"You'll come to it someday, my beauty, a bit of sport for a lad and a lass!"

And since that day he had taken to asking her, each time that she paid her fare:

"Aren't we going to have our bit of sport to-day?"

She, too, joked about it by this time, and replied:

"Not to-day, Monsieur Polyte, but Saturday, for certain!"

And amid peals of laughter he answered:

"Saturday, then, my beauty."

But inwardly she calculated that, during the two years the affair had been going on, she had paid Polyte forty-eight whole francs, and in the country forty-eight francs is not a sum which can be picked up on the roadside; she also calculated that in two more years she would have paid nearly a hundred francs.

To such purpose she meditated that, one spring day as they jogged on alone, when he made his customary inquiry: "Aren't we going to have our bit of sport yet?" She replied:

"Yes, if you like, Monsieur Polyte."

He was not at all surprised, and clambered over the back of his seat, murmuring with a complacent air:

"Come along, then. I knew you'd come to it someday."

The old white horse trotted so gently that she seemed to be dancing upon the same spot, deaf to the voice which cried at intervals, from the depths of the vehicle: "Gee up, old girl! Gee up, then!"

Three months later Celeste discovered that she was going to have a child.

All this she had told her mother in a tearful voice. Pale with fury, the old woman asked:

"Well, what did it cost?"

"Four months; that makes eight francs, doesn't it?" replied Celeste.

At that the peasant woman's fury was utterly unleashed, and, falling once more upon her daughter, she beat her a second time until she was out of breath. Then she rose and said:

"Have you told him about the baby?"

"No, of course not."

"Why haven't you told him?"

"Because very likely he'd have made me pay for all the free rides!"

The old woman pondered awhile, then picked up her milkpails.

"Come on, get up, and try to walk home," she said, and, after a pause, continued:

"And don't tell him as long as he doesn't notice anything, and we'll make six or eight months' fares out of him."

And Celeste, who had risen, still crying, dishevelled and swollen round the eyes, started off again with dragging steps, murmuring:

"Of course I won't say." 

Julie Romain

Short Story by Guy de Maupassant

Two years ago this spring I was making a walking tour along the shore of the Mediterranean. Is there anything more pleasant than to meditate while walking at a good pace along a highway? One walks in the sunlight, through the caressing breeze, at the foot of the mountains, along the coast of the sea. And one dreams! What a flood of illusions, loves, adventures pass through a pedestrian's mind during a two hours' march! What a crowd of confused and joyous hopes enter into you with the mild, light air! You drink them in with the breeze, and they awaken in your heart a longing for happiness which increases with the hunger induced by walking. The fleeting, charming ideas fly and sing like birds.

I was following that long road which goes from Saint Raphael to Italy, or, rather, that long, splendid panoramic highway which seems made for the representation of all the love-poems of earth. And I thought that from Cannes, where one poses, to Monaco, where one gambles, people come to this spot of the earth for hardly any other purpose than to get embroiled or to throw away money on chance games, displaying under this delicious sky and in this garden of roses and oranges all base vanities and foolish pretensions and vile lusts, showing up the human mind such as it is, servile, ignorant, arrogant and full of cupidity.

Suddenly I saw some villas in one of those ravishing bays that one meets at every turn of the mountain; there were only four or five fronting the sea at the foot of the mountains, and behind them a wild fire wood slopes into two great valleys, that were untraversed by roads. I stopped short before one of these chalets, it was so pretty: a small white house with brown trimmings, overrun with rambler roses up to the top.

The garden was a mass of flowers, of all colors and all kinds, mixed in a coquettish, well-planned disorder. The lawn was full of them, big pots flanked each side of every step of the porch, pink or yellow clusters framed each window, and the terrace with the stone balustrade, which enclosed this pretty little dwelling, had a garland of enormous red bells, like drops of blood. Behind the house I saw a long avenue of orange trees in blossom, which went up to the foot of the mountain.

Over the door appeared the name, "Villa d'Antan," in small gold letters.

I asked myself what poet or what fairy was living there, what inspired, solitary being had discovered this spot and created this dream house, which seemed to nestle in a nosegay.

A workman was breaking stones up the street, and I went to him to ask the name of the proprietor of this jewel.

"It is Madame Julie Romain," he replied.

Julie Romain! In my childhood, long ago, I had heard them speak of this great actress, the rival of Rachel.

No woman ever was more applauded and more loved--especially more loved! What duets and suicides on her account and what sensational adventures! How old was this seductive woman now? Sixty, seventy, seventy-five! Julie Romain here, in this house! The woman who had been adored by the greatest musician and the most exquisite poet of our land! I still remember the sensation (I was then twelve years of age) which her flight to Sicily with the latter, after her rupture with the former, caused throughout France.

She had left one evening, after a premiere, where the audience had applauded her for a whole half hour, and had recalled her eleven times in succession. She had gone away with the poet, in a post-chaise, as was the fashion then; they had crossed the sea, to love each other in that antique island, the daughter of Greece, in that immense orange wood which surrounds Palermo, and which is called the "Shell of Gold."

People told of their ascension of Mount Etna and how they had leaned over the immense crater, arm in arm, cheek to cheek, as if to throw themselves into the very abyss.

Now he was dead, that maker of verses so touching and so profound that they turned, the heads of a whole generation, so subtle and so mysterious that they opened a new world to the younger poets.

The other one also was dead--the deserted one, who had attained through her musical periods that are alive in the memories of all, periods of triumph and of despair, intoxicating triumph and heartrending despair.

And she was there, in that house veiled by flowers.

I did not hesitate, but rang the bell.

A small servant answered, a boy of eighteen with awkward mien and clumsy hands. I wrote in pencil on my card a gallant compliment to the actress, begging her to receive me. Perhaps, if she knew my name, she would open her door to me.

The little valet took it in, and then came back, asking me to follow him. He led me to a neat and decorous salon, furnished in the Louis-Philippe style, with stiff and heavy furniture, from which a little maid of sixteen, slender but not pretty, took off the covers in my honor.

Then I was left alone.

On the walls hung three portraits, that of the actress in one of her roles, that of the poet in his close-fitting greatcoat and the ruffled shirt then in style, and that of the musician seated at a piano.

She, blond, charming, but affected, according to the fashion of her day, was smiling, with her pretty mouth and blue eyes; the painting was careful, fine, elegant, but lifeless.

Those faces seemed to be already looking upon posterity.

The whole place had the air of a bygone time, of days that were done and men who had vanished.

A door opened and a little woman entered, old, very old, very small, with white hair and white eyebrows, a veritable white mouse, and as quick and furtive of movement.

She held out her hand to me, saying in a voice still fresh, sonorous and vibrant:

"Thank you, monsieur. How kind it is of the men of to-day to remember the women of yesterday! Sit down."

I told her that her house had attracted me, that I had inquired for the proprietor's name, and that, on learning it, I could not resist the desire to ring her bell.

"This gives me all the more pleasure, monsieur," she replied, "as it is the first time that such a thing has happened. When I received your card, with the gracious note, I trembled as if an old friend who had disappeared for twenty years had been announced to me. I am like a dead body, whom no one remembers, of whom no one will think until the day when I shall actually die; then the newspapers will mention Julie Romain for three days, relating anecdotes and details of my life, reviving memories, and praising me greatly. Then all will be over with me."

After a few moments of silence, she continued:

"And this will not be so very long now. In a few months, in a few days, nothing will remain but a little skeleton of this little woman who is now alive."

She raised her eyes toward her portrait, which smiled down upon this caricature of herself; then she looked at those of the two men, the disdainful poet and the inspired musician, who seemed to say: "What does this ruin want of us?"

An indefinable, poignant, irresistible sadness overwhelmed my heart, the sadness of existences that have had their day, but who are still debating with their memories, like a person drowning in deep water.

From my seat I could see on the highroad the handsome carriages that were whirling from Nice to Monaco; inside them I saw young, pretty, rich and happy women and smiling, satisfied men. Following my eye, she understood my thought and murmured with a smile of resignation:

"One cannot both be and have been."

"How beautiful life must have been for you!" I said.

She heaved a great sigh.

"Beautiful and sweet! And for that reason I regret it so much."

I saw that she was disposed to talk of herself, so I began to question her, gently and discreetly, as one might touch bruised flesh.

She spoke of her successes, her intoxications and her friends, of her whole triumphant existence.

"Was it on the stage that you found your most intense joys, your true happiness?" I asked.

"Oh, no!" she replied quickly.

I smiled; then, raising her eyes to the two portraits, she said, with a sad glance:

"It was with them."

"Which one?" I could not help asking.

"Both. I even confuse them up a little now in my old woman's memory, and then I feel remorse."

"Then, madame, your acknowledgment is not to them, but to Love itself. They were merely its interpreters."

"That is possible. But what interpreters!"

"Are you sure that you have not been, or that you might not have been, loved as well or better by a simple man, but not a great man, who would have offered to you his whole life and heart, all his thoughts, all his days, his whole being, while these gave you two redoubtable rivals, Music and Poetry?"

"No, monsieur, no!" she exclaimed emphatically, with that still youthful voice, which caused the soul to vibrate. "Another one might perhaps have loved me more, but he would not have loved me as these did. Ah! those two sang to me of the music of love as no one else in the world could have sung of it. How they intoxicated me! Could any other man express what they knew so well how to express in tones and in words? Is it enough merely to love if one cannot put all the poetry and all the music of heaven and earth into love? And they knew how to make a woman delirious with songs and with words. Yes, perhaps there was more of illusion than of reality in our passion; but these illusions lift you into the clouds, while realities always leave you trailing in the dust. If others have loved me more, through these two I have understood, felt and worshipped love."

Suddenly she began to weep.

She wept silently, shedding tears of despair.

I pretended not to see, looking off into the distance. She resumed, after a few minutes:

"You see, monsieur, with nearly every one the heart ages with the body. But this has not happened with me. My body is sixty-nine years old, while my poor heart is only twenty. And that is the reason why I live all alone, with my flowers and my dreams."

There was a long silence between us. She grew calmer and continued, smiling:

"How you would laugh at me, if you knew, if you knew how I pass my evenings, when the weather is fine. I am ashamed and I pity myself at the same time."

Beg as I might, she would not tell me what she did. Then I rose to leave.

"Already!" she exclaimed.

And as I said that I wished to dine at Monte Carlo, she asked timidly:

"Will you not dine with me? It would give me a great deal of pleasure."

I accepted at once. She rang, delighted, and after giving some orders to the little maid she took me over her house.

A kind of glass-enclosed veranda, filled with shrubs, opened into the dining-room, revealing at the farther end the long avenue of orange trees extending to the foot of the mountain. A low seat, hidden by plants, indicated that the old actress often came there to sit down.

Then we went into the garden, to look at the flowers. Evening fell softly, one of those calm, moist evenings when the earth breathes forth all her perfumes. Daylight was almost gone when we sat down at table. The dinner was good and it lasted a long time, and we became intimate friends, she and I, when she understood what a profound sympathy she had aroused in my heart. She had taken two thimblefuls of wine, as the phrase goes, and had grown more confiding and expansive.

"Come, let us look at the moon," she said. "I adore the good moon. She has been the witness of my most intense joys. It seems to me that all my memories are there, and that I need only look at her to bring them all back to me. And even--some times--in the evening--I offer to myself a pretty play--yes, pretty--if you only knew! But no, you would laugh at me. I cannot--I dare not--no, no--really--no."

I implored her to tell me what it was.

"Come, now! come, tell me; I promise you that I will not laugh. I swear it to you--come, now!"

She hesitated. I took her hands--those poor little hands, so thin and so cold!--and I kissed them one after the other, several times, as her lovers had once kissed them. She was moved and hesitated.

"You promise me not to laugh?"

"Yes, I swear it to you."

"Well, then, come."

She rose, and as the little domestic, awkward in his green livery, removed the chair behind her, she whispered quickly a few words into his ear.

"Yes, madame, at once," he replied.

She took my arm and led me to the veranda.

The avenue of oranges was really splendid to see. The full moon made a narrow path of silver, a long bright line, which fell on the yellow sand, between the round, opaque crowns of the dark trees.

As these trees were in bloom, their strong, sweet perfume filled the night, and swarming among their dark foliage I saw thousands of fireflies, which looked like seeds fallen from the stars.

"Oh, what a setting for a love scene!" I exclaimed.

She smiled.

"Is it not true? Is it not true? You will see!"

And she made me sit down beside her.

"This is what makes one long for more life. But you hardly think of these things, you men of to-day. You are speculators, merchants and men of affairs.

You no longer even know how to talk to us. When I say 'you,' I mean young men in general. Love has been turned into a liaison which very often begins with an unpaid dressmaker's bill. If you think the bill is dearer than the woman, you disappear; but if you hold the woman more highly, you pay it. Nice morals--and a nice kind of love!"

She took my hand.

"Look!"

I looked, astonished and delighted. Down there at the end of the avenue, in the moonlight, were two young people, with their arms around each other's waist. They were walking along, interlaced, charming, with short, little steps, crossing the flakes of light; which illuminated them momentarily, and then sinking back into the shadow. The youth was dressed in a suit of white satin, such as men wore in the eighteenth century, and had on a hat with an ostrich plume. The girl was arrayed in a gown with panniers, and the high, powdered coiffure of the handsome dames of the time of the Regency.

They stopped a hundred paces from us, and standing in the middle of the avenue, they kissed each other with graceful gestures.

Suddenly I recognized the two little servants. Then one of those dreadful fits of laughter that convulse you made me writhe in my chair. But I did not laugh aloud. I resisted, convulsed and feeling almost ill, as a man whose leg is cut off resists the impulse to cry out.

As the young pair turned toward the farther end of the avenue they again became delightful. They went farther and farther away, finally disappearing as a dream disappears. I no longer saw them. The avenue seemed a sad place.

I took my leave at once, so as not to see them again, for I guessed that this little play would last a long time, awakening, as it did, a whole past of love and of stage scenery; the artificial past, deceitful and seductive, false but charming, which still stirred the heart of this amorous old comedienne.

In the Wood

Short Story by Guy de Maupassant

As the mayor was about to sit down to breakfast, word was brought to him that the rural policeman, with two prisoners, was awaiting him at the Hotel de Ville. He went there at once and found old Hochedur standing guard before a middle-class couple whom he was regarding with a severe expression on his face.

The man, a fat old fellow with a red nose and white hair, seemed utterly dejected; while the woman, a little roundabout individual with shining cheeks, looked at the official who had arrested them, with defiant eyes.

"What is it? What is it, Hochedur?"

The rural policeman made his deposition: He had gone out that morning at his usual time, in order to patrol his beat from the forest of Champioux as far as the boundaries of Argenteuil. He had not noticed anything unusual in the country except that it was a fine day, and that the wheat was doing well, when the son of old Bredel, who was going over his vines, called out to him: "Here, Daddy Hochedur, go and have a look at the outskirts of the wood. In the first thicket you will find a pair of pigeons who must be a hundred and thirty years old between them!"

He went in the direction indicated, entered the thicket, and there he heard words which made him suspect a flagrant breach of morality. Advancing, therefore, on his hands and knees as if to surprise a poacher, he had arrested the couple whom he found there.

The mayor looked at the culprits in astonishment, for the man was certainly sixty, and the woman fifty-five at least, and he began to question them, beginning with the man, who replied in such a weak voice that he could scarcely be heard.

"What is your name?"

"Nicholas Beaurain."

"Your occupation?"

"Haberdasher, in the Rue des Martyrs, in Paris."

"What were you doing in the wood?"

The haberdasher remained silent, with his eyes on his fat paunch, and his hands hanging at his sides, and the mayor continued:

"Do you deny what the officer of the municipal authorities states?"

"No, monsieur."

"So you confess it?"

"Yes, monsieur."

"What have you to say in your defence?"

"Nothing, monsieur."

"Where did you meet the partner in your misdemeanor?"

"She is my wife, monsieur."

"Your wife?"

"Yes, monsieur."

"Then--then--you do not live together-in Paris?"

"I beg your pardon, monsieur, but we are living together!"

"But in that case--you must be mad, altogether mad, my dear sir, to get caught playing lovers in the country at ten o'clock in the morning."

The haberdasher seemed ready to cry with shame, and he muttered: "It was she who enticed me! I told her it was very stupid, but when a woman once gets a thing into her head--you know--you cannot get it out."

The mayor, who liked a joke, smiled and replied: "In your case, the contrary ought to have happened. You would not be here, if she had had the idea only in her head."

Then Monsieur Beauain was seized with rage and turning to his wife, he said: "Do you see to what you have brought us with your poetry? And now we shall have to go before the courts at our age, for a breach of morals! And we shall have to shut up the shop, sell our good will, and go to some other neighborhood! That's what it has come to."

Madame Beaurain got up, and without looking at her husband, she explained herself without embarrassment, without useless modesty, and almost without hesitation.

"Of course, monsieur, I know that we have made ourselves ridiculous. Will you allow me to plead my cause like an advocate, or rather like a poor woman? And I hope that you will be kind enough to send us home, and to spare us the disgrace of a prosecution.

"Years ago, when I was young, I made Monsieur Beaurain's acquaintance one Sunday in this neighborhood. He was employed in a draper's shop, and I was a saleswoman in a ready-made clothing establishment. I remember it as if it were yesterday. I used to come and spend Sundays here occasionally with a friend of mine, Rose Leveque, with whom I lived in the Rue Pigalle, and Rose had a sweetheart, while I had none. He used to bring us here, and one Saturday he told me laughing that he should bring a friend with him the next day. I quite understood what he meant, but I replied that it would be no good; for I was virtuous, monsieur.

"The next day we met Monsieur Beaurain at the railway station, and in those days he was good-looking, but I had made up my mind not to encourage him, and I did not. Well, we arrived at Bezons. It was a lovely day, the sort of day that touches your heart. When it is fine even now, just as it used to be formerly, I grow quite foolish, and when I am in the country I utterly lose my head. The green grass, the swallows flying so swiftly, the smell of the grass, the scarlet poppies, the daisies, all that makes me crazy. It is like champagne when one is not accustomed to it!

"Well, it was lovely weather, warm and bright, and it seemed to penetrate your body through your eyes when you looked and through your mouth when you breathed. Rose and Simon hugged and kissed each other every minute, and that gave me a queer feeling! Monsieur Beaurain and I walked behind them, without speaking much, for when people do not know each other, they do not find anything to talk about. He looked timid, and I liked to see his embarrassment. At last we got to the little wood; it was as cool as in a bath there, and we four sat down. Rose and her lover teased me because I looked rather stern, but you will understand that I could not be otherwise. And then they began to kiss and hug again, without putting any more restraint upon themselves than if we had not been there; and then they whispered together, and got up and went off among the trees, without saying a word. You may fancy what I looked like, alone with this young fellow whom I saw for the first time. I felt so confused at seeing them go that it gave me courage, and I began to talk. I asked him what his business was, and he said he was a linen draper's assistant, as I told you just now. We talked for a few minutes, and that made him bold, and he wanted to take liberties with me, but I told him sharply to keep his place. Is not that true, Monsieur Beaurain?"

Monsieur Beaurain, who was looking at his feet in confusion, did not reply, and she continued: "Then he saw that I was virtuous, and he began to make love to me nicely, like an honorable man, and from that time he came every Sunday, for he was very much in love with me. I was very fond of him also, very fond of him! He was a good-looking fellow, formerly, and in short he married me the next September, and we started in business in the Rue des Martyrs.

"It was a hard struggle for some years, monsieur. Business did not prosper, and we could not afford many country excursions, and, besides, we had got out of the way of them. One has other things in one's head, and thinks more of the cash box than of pretty speeches, when one is in business. We were growing old by degrees without perceiving it, like quiet people who do not think much about love. One does not regret anything as long as one does not notice what one has lost.

"And then, monsieur, business became better, and we were tranquil as to the future! Then, you see, I do not exactly know what went on in my mind, no, I really do not know, but I began to dream like a little boarding-school girl. The sight of the little carts full of flowers which are drawn about the streets made me cry; the smell of violets sought me out in my easy-chair, behind my cash box, and made my heart beat! Then I would get up and go out on the doorstep to look at the blue sky between the roofs. When one looks up at the sky from the street, it looks like a river which is descending on Paris, winding as it flows, and the swallows pass to and fro in it like fish. These ideas are very stupid at my age! But how can one help it, monsieur, when one has worked all one's life? A moment comes in which one perceives that one could have done something else, and that one regrets, oh! yes, one feels intense regret! Just think, for twenty years I might have gone and had kisses in the woods, like other women. I used to think how delightful it would be to lie under the trees and be in love with some one! And I thought of it every day and every night! I dreamed of the moonlight on the water, until I felt inclined to drown myself.

"I did not venture to speak to Monsieur Beaurain about this at first. I knew that he would make fun of me, and send me back to sell my needles and cotton! And then, to speak the truth, Monsieur Beaurain never said much to me, but when I looked in the glass, I also understood quite well that I no longer appealed to any one!

"Well, I made up my mind, and I proposed to him an excursion into the country, to the place where we had first become acquainted. He agreed without mistrusting anything, and we arrived here this morning, about nine o'clock.

"I felt quite young again when I got among the wheat, for a woman's heart never grows old! And really, I no longer saw my husband as he is at present, but just as he was formerly! That I will swear to you, monsieur. As true as I am standing here I was crazy. I began to kiss him, and he was more surprised than if I had tried to murder him. He kept saying to me: 'Why, you must be mad! You are mad this morning! What is the matter with you?' I did not listen to him, I only listened to my own heart, and I made him come into the wood with me. That is all. I have spoken the truth, Monsieur le Maire, the whole truth."

The mayor was a sensible man. He rose from his chair, smiled, and said: "Go in peace, madame, and when you again visit our forests, be more discreet."